This building, on its platform, accounts for the main mound at Khorsabad on the summit of which we lived. Smaller mounds covering the ruins of the gateways and the line of the city walls themselves can be seen spreading out into the cultivated plain on either side. It was one of these gateways No. 7 in the plan made by Botta’s successor, Victor Place, in which we started excavating in 1930.1
C1) This is now incorporated in the
American expedition’s fine perspective reconstruction of the whole palace
setting. G. loud. Khorscbad. VoL II. Frontispiece.
(2) Reproduced in G. Loud. Khorsabad. VoL L
Chicago 1936. Fig. L
We pegged out a careful trench across one
side of the little hill, and, as might have been expected, dug for several days
without finding anything at all.
Pierre Delougaz
At about that date our party was joined by Mr. Pierre Delougaz, who is now Curator of the Oriental Institute Museum, and afterwards it was not difficult to discern that his arrival marked the beginning of our seven years experimenting and discovery in the realm of excavating technique. In fact, so much of the effective work referred to in the remainder of this chapter must be credited to Delougaz’ insight and initiative, that it may be well here to explain his presence at that time in Iraq.
In the previous winter of 1927/28,
Breasted’s Iraq Expedition had suffered what could be regarded as an
unfortunate false start, in that Dr. Edward Chiera, who had been in charge of
it, had unhappily died almost before it had time to get under way. Chiera
himself had at first concentrated on the Khorsabad palace.
He had arrived to find the site pillaged
and neglected, with everywhere signs of the looting and destruction which had
continued throughout the long aftermath of Botta’s and Place’s excavations. The
place had to all intents and purposes become a stone quarry, from which the
sculptured slabs were extracted to be broken up and burnt into lime for local
building purposes.
There was then a village on the summit of
the main mound, and he noticed in the courtyard of the local agha’s house a
fine bearded head of one of King Sargon’s officials, retained as a curiosity
and now being used as a chopping block for wood. The sight of such vandalism
was as Chiera with remarkable restraint observed in his report “irritating to say the least”, and he spent
the remainder of his first season in effecting such rescue work as he could
manage; packing and removing the surviving slab fragments in several of the
principal chambers, (PL. 9).
This in the end involved him in what proved
to be an almost embarrassing discovery the broken pieces of one of the largest
portal sculptures of all— a winged bull from the entry to Sargon’s throne room,
which now stands in the Oriental Institute Museum.
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